Goal:
Our mission is to turn the screens into a 'second stage': give viewers vibrant close-ups, preserve the energy of the live performance, and ensure every shot matches the rhythm of the music.
What we did:
1. Preparation stage:
— Developed a detailed layout scheme for 6 cameras and signal switching
— Prepared equipment and allocated roles in a team of 7 specialists
2. Equipment installation:
— Installed Sony Z90 cameras on heavy tripods
— Mounted close-up cameras on pantographs for optimal view
— Laid SDI cable lines and organized backup channels
— Deployed a wireless system (camera on a sender) with range testing
3. Technical part:
— Connected to the stadium's screen processor
— Set up the Sony MCS-8M video mixer
— Organized a communication system via Holyland intercom
— Installed 'live' camera indicators
4. Coordination:
— Coordinated angles and shots with Anton Belyaev
— Rehearsed all scenes during run-through
5. During the broadcast, we carefully monitored image and sound quality, promptly responding to any changes.
Result:
The Therr Maitz concert gathered 7000 spectators, for whom the dynamic screen broadcast was an important part of the show. The artist and the venue team particularly noted the quality of the shooting and the precise synchronization with the music rhythm. The successful project implementation confirmed our professionalism.
